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Tag: altprocess

Dry plate tintype

Dry plate tintype

Over labor day weekend, I had a few photographers and alt-printers over for printfest 2013 – a chance for me to teach a little alt-photo, experiment a little, and for…

Carbon printing

Carbon printing

Well, I finally gave in. I’ve avoided doing any carbon printing for years now. From everything I’ve ever read, Carbon Printing is a fickle beast. It likes a clean, orderly…

Schuylkill

Schuylkill

Taken this spring; Philadelphia, looking north from the Chestnut St. bridge. Gold toned kallitype on Arches HP 140#. Shot with a Widelux FV and Delta 3200, developed with Perceptol. This…

Erik and Hedy

Erik and Hedy

From this year’s Kensington Kinetic Sculpture Derby: Erik and Hedy of Frank’s Kitchens. Gold-toned kallitype on Arches 140# HP. Another aspect of my experimentation during PrintFest was control over the…

Francean Fanny

Francean Fanny

From the PA Burlesque Festival on June 30th: Francean Fanny. Selenium toned kallitype on Arches 140# HP. I have no idea what the dot is; something got on the paper…

Fan Dance

Fan Dance

From the PA Burlesque Festival, June 30th: Donna Touch. Selenium-toned kallitype on Arches 140# HP. Continuing down the selenium road: this is about 20 minutes of selenium toning, after having…

John

John

John, of Frank’s Kitchens. Selenium toned kallitype on Arches HP 140#. I’m understanding selenium toning a little better as a result of this week’s PrintFest. Selenium and Kallitypes don’t get…

Madame Corsetiere

Madame Corsetiere

It’s only Wednesday, but I’m already exhausted! I’ve been printing all day every day this week: 8 hours on Monday, 7 Tuesday, and 10 today. Monday was about experimentation: trying…

Joe

Joe

Continuing in the “Frank’s Kitchens” series: 9 layers of gum, featuring Joe hard at work. I think I may print another layer here; I’m not quite satisfied with the color…

John

John

Gum over cyanotype on a half sheet of Stonehenge Rising warm white paper. This print is a direct result of a morning of failures last week. My cyan pigment wouldn’t…

MonkE

MonkE

This is probably my busiest art-related year ever. A number of things have fallen in to place, all at the same time. I’m a little saddened that it’s taken me…

Sheila and Bob

Sheila and Bob

Hot off the heels of my glass-on-casein in the annual juried Phillips’ Mill exhibition, I’m looking at my next set of research: fumed silica. This piece is a gold-toned kallitype,…

Burlesque Nr. 5

Burlesque Nr. 5

I’m FINALLY returning to the Burlesque shots from Jim Thorpe’s burlesque festival last year. Between my last post on this subject and now, I’ve been more or less focused on…

Meta Workroom

Meta Workroom

Spent quite a lot of yesterday printing bigger than I’ve done before – getting up to the maximum sizes I can manage with my vacuum frame and light box. This…

Joe

Joe

Originally shot on Delta 3200 in a Diacord G; developed in Microphen. This is a palladium-toned kallitype. I’m reasonably happy that it came out (yay, my chemistry survived the flooding)…